Dante’s Divine Comedy

Did You Know?

Instant Classic
Students today may grumble about having to read the Dante’s Divine Comedy, but Dante’s contemporaries loved it. More than 600 fourteenth-century copies survive, attesting to its wide circulation. At least 12 commentaries had been written about it by 1400. Later it was among the earliest books to be set in movable type. But the poem lost favor with the rise of rationalism, and only three editions were printed in the seventeenth century. The Pre-Raphaelites helped bring the poem back into fashion in the nineteenth century, and its status now seems assured. More than 50 English translations of Inferno were published in the twentieth century alone.

(Source: An email from Christian History magazine)

Dante Alighieri

Those of you in the Ideas section of Church and Empires will cover Dante more extensively than we do on the History side, but I thought you might be interested in therecent biographical sketch in Christian History magazine.

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Dante Alighieri
Worldly creator of divine verse

“O conscience, upright and stainless, how bitter a sting to thee is a little fault!”

By his early fifties, Dante had been exiled from his hometown, wrestled with the top authorities of the church, and taken up arms against his fellow countrymen. He had made plenty of enemies, and he was not pleased. So he did with his enemies what many have wished to do: he sent them all, even the pope, to hell—literarily, that is. But his damnatory writing was no screed; it was the finest poem of the Middle Ages, a summation of classical and medieval beliefs so profound that its critics labeled it “divine”: The Divine Comedy. (Click here to read more…)

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